Bill Champitto

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Bill Champitto is a fiery Boston-based singer/songwriter/pianist and Hammond B3 organist whose music was aptly defined by an ardent web fan as “Soul, Funkified Jazz.” Originally from Troy, New York, Bill started playing keyboards by ear at age 15 when two of his closest friends received a drum set and a guitar for Christmas gifts. “My friends started to woodshed in their pool house and when I went over to check it out, I was immediately hooked! I had to be part of this!” “One of these guys suggested I play bass, so we found a ‘gently used’ bass for $5.00 and suddenly, we had a trio.” But after a couple of weeks the group found someone who ‘could actually PLAY bass’ so Bill had to give up his gig. That's when Bill found a tabletop organ (or perhaps it found him) and a quartet was formed. Bill devoured everything by ear--taping tons of music and woodshedding until he got it right. He even convinced the pastor of the local St. Jude Catholic Church to allow him to practice on the church's big Hammond B3. “The nuns would chase me away, but the pastor was cool with it. I’d learn Santana solos on this organ and rock out the otherwise tranquil church,” says Bill. Bill had great ears, no doubt and he quickly earned an audition with a local club band. “Music saved my life. At the time I was hanging out in an area surrounded by lots of drugs and gangs and such, but music took me in another direction.” Being self-taught, Bill picked up everything he could from the wide variety of the players he worked with, including jazz standards, jazz fusion, reggae, Southern rock, blues, alternative rock and Latin styles. “My first real gig was in a club on Troy's then undeveloped Hudson River waterfront, called Sutter’s Mining Company. I had just landed a gig with a seven piece band named Stage where the seven of us split the cover charges from the door! I was 15 years old performing in this packed club but what I remember most was being served drinks by waitresses that wore nothing under their unbuttoned black leather vests. It was very educational!” Stage lasted in the greater Albany/Troy/Syracuse area for several years, and after a breakup in '78, transformed into a band called Click. Click was a high-energy band that toured extensively and at one time opened for Spyro Gyra as well as Santana. The well-rehearsed, tight cover band performed all the great late ‘70s material from Tower of Power, Earth, Wind & Fire, Chicago, Blood Sweat & Tears and the like. Bill was rocking the band out with his powerhouse vocals and keyboard skills from the late ‘70s to the early ‘80s. “We were a show band performing five-40-minute sets a night for six nights a week, then packing up and traveling to a new city to do it again. It was an insane schedule, but I had a blast and learned a lot.” In 1981, wanting to learn as much as possible about the music he loved, Bill moved to Boston to attend Berklee College of Music. There he studied with well-known, highly regarded musicians such as pianist Bob Winter, pianist/arranger Ray Santisi, trumpet player Greg Hopkins and trombonist/arranger/bandleader Phil Wilson. “I jumped fully in, devoting 24/7 to the music thing and burned through the entire four-year program at Berklee in five semesters and a summer.” By 1983, Bill had graduated from Berklee, Cum Laude with a Bachelor of Music Degree. Life after Berklee brought a lot more club work, studio gigs and some cool corporate shows. When Bill became a dad and the reality of surviving financially in the music biz hit home, he took off in another direction to make “a living.” He learned IT in a 3-month program and landed a full time “day gig” working in the corporate/tech world. Bill continued performing, launched his own band with original songs and played around Boston in well-known music haunts like Bunratty’s, The Channel, T.T. The Bear’s, The Middle East and Upstai