There's no vocals here folks, just smokin', free form jazz-based R&B punctuated by smoldering Hammond organ solos, bellowing sax runs, groovin' guitar licks, poppin bass lines and funky, funky, funky drumming. The Freelance Bishops are a taut unit that make magical stew out of each and every song... and they do it in convincing fashion. This is a great band that knows their instruments inside and out and knows how to work with one another. This is definitely one of the finest CD's I've heard from a local band in some time. Dynamite! Douglas Sloan, Metronome Magazine, October 1999 Hearings One of Doug's Top 5 for October 1999

Too often I've encountered Boston-based funk outfits that completely lack soul and have no concept of funk. The Freelance Bishops are the rare exception, blending jazz and funk with brilliant execution. Composer Jeremy Parker has concocted some of the tightest instrumentals I've heard in years. "Old Town Pump" kicks off the disc with a delicious groove, tremendous sax lines, and unexpected changes. These themes continue throughout, making the quintet's debut a pure pleasure. Consistent production accentuates Brian Coakley's funky bass lines and Stephen Giannaros' tenor and soprano sax. Drummer Jay Breen tastefully holds down the grooves, also rare in local funk, while organist Parker and guitarist Piper drive each cut with precision. Other highlights include "Mr. McFeeley" and the cleverly titled "Smack My Bishop." Steve Perez, Boston SOUNDCHECK Magazine, November 1999 Amplifier