Rock bands are pigeonholed into ever-increasingly minuscule sub-categorizations, but The Dresden Dolls continue to defy explanation and classification. While some have called it theatrical rock, punk cabaret, manic-musical, neo-glam-torch…eventually even the most clever and creative describers shrug and say: “You just have to hear it to believe it.”Living in a two-faced, popular culture built on artifice that demands authenticity; The Dresden Dolls take the world stage, tear down the curtain, rip holes in the veneer and create their own rules, rhymes and reason. For the past six years, the duo has been climbing steadily out of the artistic trenches and into the mainstream of rock on their own terms. The Dolls thrive on their inherent juxtapositions. The musical-theater and New-Wave background of writer/singer/pianist Amanda Palmer mixes with drummer Brian Viglione's heavy metal roots to create a sonic smear of unclassifiable rock. Palmer wails; Viglione cackles. It is this dichotomy that supplies the band with a yin-yang quality that keeps them hurtling through space, pulling each other to and fro in an endless - and highly entertaining - match of musical wits. After signing with Roadrunner Records in early 2004, the band has been enjoying a whirlwind schedule that has included headlining sold-out tours on four continents, opening for Nine Inch Nails (Trent Reznor hand-picked the band after seeing their homemade video for “Girl Anachronism” on television), performing at the world’s biggest festivals including Coachella, Fuji Rock, Roskilde and Glastonbury, writing an original musical at the prestigious American Repertory Theater and releasing an innovative and acclaimed live DVD. The music is just one installment of the on-going artistic collaborations between the band and their fans. Additionally, a flood of home–made films, burlesque numbers, sculptures and animations to complete plays and musicals based around the band’s songs have created a constant dialogue between band and audience. The same spirit exists at live shows, as manifested in the so-called “Brigade”, where the Dolls collaborated with hundreds of performing artists ranging from high school drama troupes to top-shelf actors and professional circus artists, including members of Montreal’s celebrated Cirque Eloize and San Fransiciso’s Vau de Vire Society. The Dolls’ self-titled debut has been selling strong and steady scanning 100,000+ copies in the United States alone. Initially released on Palmer's own 8 Ft. Records in the fall of 2003, the album was subsequently re-released upon the band's signing with Roadrunner. The release of two wildly different singles, the manic-punk “Girl Anachronism” and the cabaret-tinged and bittersweet “Coin-Operated Boy,” which debuted on KCRW via the influential DJ Nic Harcourt, swiftly went on to be the most-requested singles on a handful of stations nationwide. Airtime on MTV2 and the Internet immediately began to win the band thousands of admirers for their innovative style and “Coin-Operated Boy” received an MTVU award nomination.In 2006 The Dresden Dolls released their highly anticipated follow-up, Yes, Virginia to immediate worldwide acclaim. Yes, Virginia marked the band’s Billboard chart debut in the United States and also charted nationally in various European countries following the success of the lead single “Sing” and it’s emotion packed video. In January 2007, The Dolls wrapped up a string of 40 sold out shows in an original piece of musical theatre, The Onion Cellar, produced with the distinguished American Repertory Theatre in Cambridge, Massachusetts.This summer, The Dresden Dolls are proud to bring their bittersweet, smart, and gender-role-defying music to the 2007 True Colors tour. The tour will consist of DD as well as tour-creator Cyndi Lauper, and fellow performers Deborah Harry, Erasure, Margaret Cho, and (on select dates) Rufus Wainwright. Hope to see you there!